In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.

A young girl is rigorously trained in the feminine arts so that she can become a geisha. As she struggles through life, she learns to live not just as a woman but as a complete person.

Young geisha Koshizu's wish of reuniting with the man, Yukichi, who helped her ten years ago comes true. When she learns of the trouble Yukichi's business is facing, she stands ready to come to his aid, and thus repay a debt that's long overdue.

The world is in turmoil with the October Revolution of 1917, riots over the inflationary price of rice, and the military expedition to Siberia in 1918. But Shinsuke, a brothel owner, spends his days in the arms of geishas, paying little heed to the events happening around him.

Eiko seeks out Miyoharu, a geisha, and asks to be her apprentice. When she is ready to receive clients, both women want the right to refuse certain men.

Natsuko is so good at using that super-strong vagina of hers that she can fuck guys to death. In the end, she’s pitted against a sexual superman and a showdown ensues. There’s also a subplot about a mad scientist type who needs vaginal juices to create a potion designed to turn Japanese girls black.

Yokiro was the most successful Geisha house in Western Japan during the first half of the 20th century and remains open to this day. At its peak, it was home to over 200 geisha, however behind the fabulous facade, there were many battles - between family members, men and women, and with the Yakuza. Momokawa was sold to Yokiro at age 12, and despite being the top geisha, her many complicated relationships provide unending challenges throughout her glamorous but turbulent life.

A young geisha/prostitute working in Tokyo's entertainment district earns a measure of reknown through her powerful vaginal muscles. This newfound fame, however, also earns her the enmity of a rival geisha house. The two houses choose to settle the dispute through a series of athletic contests between the young star and the rival house's main attraction, with the backing of the houses' wealthy patrons as the prize.

The film stars two of Itami's regular actors, Nobuko Miyamoto as a geisha who brings luck to the men with whom she sleeps, and Masahiko Tsugawa as her unfaithful, sometimes partner. As well as showing her relationships with the man she loves and the men who employ her, it satirizes corruption and the influence of money in Japanese politics.

A young man reading a novel in a field, falls in love at first sight with Sadako Abe (Iori Furukawa), a woman who passes by. By chance, Teiko started working at Shintaro's house as a maid in order to pay off her dead mother's medical bills and funeral bills. However, Sadako is hired by Shintaro's father, Jukichi (Shinra Bansho), and spends nights with him. Shintaro tries to have a relationship with Teiko, but his relationship is torn apart by Shigekichi's second wife Tokuko (Otsuki Hibiki) and the head maid Masami (Matsui Riko).Sadako was severely treated by the two. Tokuko and Masami also liked Shintaro and were jealous of his relationship with Teiko.However, Teiko and Shintaro develop a love relationship, but one day, Omiya (Tsutomu Sakamoto), who introduces Teiko, tries to use Shigekichi's secret as a joke. What is the secret?

Writer Kosaku Yoshizumi (Atsushi Narasaka) finally writes a novel after a long slump and wins a literary prize. Publishing editor Kojima (Sousuke Yamamoto) learns of this information and visits Yoshizumi's house to make an offer for the company's next work. However, Yoshizumi was absent, and his lover, Kyoka (Kyoko Maki), welcomed Kojima in his place. Kyoka used to be the geisha that Yoshizumi and Kojima went to at a restaurant together. Kojima is once again fascinated by Kyoka's beauty. Knowing that Kyoka was the model for the novel. That night, Kojima ends up masturbating while reading a novel.

Famed movie director Paul Robaix breaks with tradition by not casting his actress-comedienne wife, Lucy Dell, in his latest film production, a version of Madame Butterfly. Undaunted, the resourceful Lucy wings her way to Tokyo and, masquerading as a Japanese geisha, lands the coveted role from her unsuspecting husband! But in front of the cameras (and behind the pancake makeup), Lucy faces greater challenges: her lecherous leading man - and a husband who is beginning to realize that his talented new "discovery" seems vaguely familiar...

A young girl works as a geisha to earn money for travel.

Documentary about the world of the Japanese geisha. Unattainable by all but the wealthy and powerful, geisha are the ultimate massagers of the male ego. Behind the delicate fan and enigmatic smile can also be found a darker side to the geisha story, including treachery and suicide. The program's nar

Many persons visit the hot springs resort to try out Reiko's famous vagina with quivering walls, "the sensation of worms wiggling about"... that won her her nickname (Mimizu = earthworm).

Koharu Kanashizuki, the owner of an okiya and ryōtei restaurant in the flower district of Mukojima, Tokyo, is struggling to solve a murder case.

A young woman must choose loyalty to a historical Asian clan, and her non-traditional love, amidst the deaths of her dance partners being investigated by her new lover.

Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omocha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku's film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.